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The adobe photoshop lightroom 4 book for digital photographers pdf free
Previous page. New Riders Pub. Publication date. Print length. See all details. Next page. Customers who viewed this item also viewed. Page 1 of 1 Start over Page 1 of 1. Scott Kelby. Customers who bought this item also bought.
Scott serves as training director for the Adobe Photoshop Seminar Tour and is the technical chair of the largest Photoshop gathering in the industry, Photoshop World. He has written numerous best-selling creative technology books, and has just been named the 1 photography book author for the second year in a row. Don't have a Kindle? Choose your next adventure with virtual tours. Amazon Explore Browse now. About the author Follow authors to get new release updates, plus improved recommendations.
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Please try again later. Verified Purchase. I simply dismissed Lightroom as a tool for those who did not want to take the time to learn Photoshop, even though the PROS also seemed to love this software. I am totally amazed by it! And as usual, Scott's "cut straight to the chase" style of describing the use is pure genius! I still don't think I would be using Lightroom if I did not briefly skim through this book.
I have actually ordered 3 more for friends and my Cousin since they would also be using LR4 version. Scott Kelby jams pages of useful information about Lightroom 4 into this page book, but the other pages are fluff, filler, and silly conversational remarks. Every page seems to have a few lines that essentially say, "Look at me! I am really cute! In most other publishing houses a professional editor would have chopped out all that fluff with a blue pencil, but not Kelby's editors.
It would have been a better book had it been properly edited. Once you get around the silliness, the book is structured logically and the information is detailed. Lightroom is big and complicated and anybody needs training to use its features, some of which are well-hidden. This book would be a far better resource for readers like me if an editor had insisted on clarity.
The information is in there, but you have to work around Scott Kelby's song and dance routine to find it. Lightroom 4 is a marvelous tool, extremely complicated and full of resources, and I have come to depend on it for all my professional work. You can learn to operate this tool with Kelby's book but it makes a complicated process even more challenging for anyone new to LR. As a long-time Photoshop Elements and iPhoto user, I recently purchased Lightroom to do a better job of digital image organization and manipulation.
I'd read it on my Kindle on the bus to work or on the treadmill, then try the things I'd learned on the computer. His instructions were clear and well illustrated, and did a great job of discussing WHY you'd want to do something and not just HOW to do it. His style is light-hearted, which made the reading enjoyable as well as informative.
Now that I have some appreciation for all the incredible things that Lightroom can do, I realize there is no way I could begin to take advantage of its power without this book.
The extra cost and time to go through this book has increased the value of the software by several orders of magnitude! One person found this helpful. As I mentioned in my review of the Lightroom FAQ book, this tutorial by Scott Kelby was another arrow in my quiver to battle Lightroom's learning curve. I wasn't new to editing in a Photoshop environment, but I quickly learned that Lightroom is a very different platform and process.
Kelby's book does a good job of guiding an experienced editor through the transition from the old days to the LIghtroom ways. It's as much about "workflow" as it is about the actual editing. The Kelby book is presented in a step-by-step manner to teach the new tricks needed for migration to Lightroom.
I started with that as a guide, and then switched to the FAQ book to find quick answers. But I still refer to Kelby when entering new areas of Lightroom. I recommend getting both books. You will keep both of them close at hand. If you are familiar with Scott's video style of relaxed casual conversations you won't be surprised by the book's easy to read entertaining conversational writing.
I have attempted to go through other LR books and that process is similar to eating glass Ugh! I bought this book to learn about features I was unaware of, and also as a handy reference. I don't have any of Scott's other books so went purely on reviews. I particularly liked the emphasis on the photographer with this title, as I am planning on creating some photo books. My first impression when I flicked through the book was very positive. I love the balance of words and pictures. Also each section has a consistent layout, which I've subsequently noticed in other books by Scott.
The top centre is an executive summary of the topic, and then a step-by-step approach supported by lots of pictures. I like that Scott gives his guidance on certain settings and features which are must-know features over those which are a bit of a waste of time. One can waste an immense amount of time to come to that realisation. Also Scott is very workflow oriented, and I believe knowing workflows is as important perhaps more so than knowing the tools properly, particularly if you're a professional.
Scott recommends reading cover to cover. I have been doing so every night since receiving the book. To an extent his comment is under-stating the value of his own book. The content area and way the book is written does allow you to quickly identify something you need to know about, say correcting white balance, and read just that one section, put the book down and apply what you learned.
Each section generally uses unique images, and is not presented in a project style, where the same project is worked on throughout a chapter. There is a little continuity but it's easy to hop into and out of a chapter on demand without feeling you really should have read the whole chapter or even the previous topic. I find this aspect to the book incredibly useful and puts the book near my Mac and not on the bookshelf whilst using Lightroom.
The book is also a good read cover to cover, and I am combining the two. I have had some urgent photo work to do following the recent loss of a family member, to restore some seriously damaged photographs, and bring them to exhibitions standard in a very short space of time. With Scott's book I have managed to achieve this, and the impact has been so well received.
So what is there not to like about the book? Well nothing really. I noticed one reviewer saying Scott comes over as a bit full of his own importance. I absolutely do not get this impression about him. He speaks with the air of authority you would expect from an expert in the field, but he is also humble to the subjectivity of the art.
Two things do bother me a little about the way the book is presented. Firstly each topic is presented as a step-by-step guide. So step 1, 2, 3 etc. In most cases this is appropriate as he covers the workflow you need to go through. However sometimes Scott talks about alternative approaches. Sometimes there are many different ways of doing things. These are also presented in a stepped approach. Here is where I would personally have used a different template, and instead of naming each as a step, I would have named them by approach.
It's a minor comment and really doesn't detract from the enjoyment of the book, just something that the publisher could have optimised. My other comment is that although they show many images, they are mostly full screen images of the Lightroom screen which is very detailed. When he talks about some of the controls, where you don't need to see full screen, it's very difficult to see what he's pointing to in my copy.
There is little use of zoomed view. Where the reader needs to see the controls and the photo they could have zoomed the control and shown the photo as a smaller size or zoomed that too if the detail in the photo is relevant to the thing they are trying to show.
He does this well in places like Chapter 10, but there are many examples where I would have wished for more selective cropping of the images. Overall I am delighted with this book. Lightroom is NOT an intuitive tool and the built-in workflows are not obvious until someone someone like Scott points them out.
Scott's lack of association with Adobe means that he is candid and honest about certain features, which someone working for or representing Adobe would not be. This is really important as the reader feels like Scott's apprentice than a customer of Adobe. There is criticism for Scott not covering certain aspects of photography in enough detail, and I can see that there is space for a lot more learning beyond this book. However I feel that this book covers the essentials and builds a foundation on which most photographers will be able to develop their own knowledge.
Scott does cover a good variety of photographic topics and doesn't proclaim this book to be specialist in any one area of photography. I would recommend looking at the 'look inside' content and judging whether you like Scott's writing style or not, and whether the layout and flow of the book works for you.
It has for me and I cannot recommend it high enough. Report abuse. I had never used Lightroom before, and having decided to invest in the software I thought I would buy this book in order to learn how to get the best from it.
I'm usually someone who just picks things up and plays with them until I've figured it out, so it felt a bit strange learning from a book. My experience has been very positive - the layout and structure of the book makes it easy to get into and there are lots of simple examples to work through it's very well illustrated as you would expect.
The photos used as examples in the book are available from Kelby's website so you can step through the exact same steps. Personally, I just used my own photos with similar characteristics. I really like how Kelby gives his own tips as you go through, so rather than being bombarded with theory, he sticks to the salient points and tells you what he, as an expert would recommend. His style is fun and conversational. For example, with the Web module, he points out that it is pretty crappy and that he will not bother trying to explain it in the book because no professionals would use it and Adobe have not improved it for a long time there are chapters available online for this if needed.
However, I am really glad that I did - it's already helped me to get some great results photography is my hobby, not a money maker and to organise my collections much better. If you're in the same position of wanting to get to grips with the powerful, complex tool that is Lightroom 4, I really recommend this book.
I got this book as I am so used to Photoshop Elements 10 and also photoshop CS2 for editing my shot and cannot afford the prices for the latest photoshop!.
I could not get my head around the way you have to navigate the panes and so on, and brought this book as a tuition guide.
The book is very good, and informative but lacks one thing. If you inadvertently press a wrong button and wish to find out how to reset to default, or undo a change, then this book will not help you. Thanks so much for buying the book and giving me the opportunity to show you some of the really cool things about Adobe Photoshop Lightroom Classic CC.
Just a quick reminder: These downloadable photos, made available to you here, are licensed for your personal use only in practicing the techniques shown in the book. They are not licensed for use in any other manner, including commercial projects, websites, or any other use. Thanks for honoring our copyrights.
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